{"title":"Books — Art","description":"","products":[{"product_id":"oaxacan-folk-art-response-to-covid-19-english","title":"Oaxacan Folk Art Response to COVID-19 - English","description":"\u003cp\u003eAlan Eliot Goldberg has navigated pot-holed roads to remote, sleepy Mexican Villages in pursuit of folk art for almost 60 years that resulted in a 1,000 piece Mexican Folk Art Collection he recently donated to The Mexican Museum, a Smithsonian Affiliate. In the spring of 2020 everything changed in Oaxaca as covid-19 spread throughout the region. To limit contamination the villages sealed themselves off from the outside world, but the virus spread rapidly. As a result of this action, the artists had little or no sales for their folk art and therefore no sustainable income. Alan Goldberg organized a Covid-19 themed folk art competition and the entries were so compelling he decided to undertake an art book featuring pieces from the competition. The book is in two parts. The first part explores the surrounding landscape, heritage, and culture of the indigenous Oaxacan people, and opens a window into the artists imagination, the way they meet adversity with humor, bewilderment and resilience as they cope with Covid-19. The second part is a catalogue containing photographs of the artists and a description and photographs of their work. 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At the same time that it is an ideological manifesto that captures her positions regarding fashion, to the design, creation and production of garments, is a document that celebrates 15 years since the creation of the Carla Fernández Fashion House and 30 years of collaborating creative and productive activities with wonderful Mexican artisans in 16 states of the Republic with more of 80 different craft techniques.  It is an art book with more than 200 photographs, where their collaboration, their inspirations, the Mexican roots and the current struggles of feminisms; at the same time, it is a photographic essay on the evolution of the designer as an artist who finds a language, no need for prominence.  The visual art of Manifesto of Fashion in Resistance has the participation of several visions photographs, among which those of Graciela Iturbide, Maya Goded, Ricardo Ramos, Maruch Santíz, Ramiro Chaves, Ana Hop, among others, as well as texts by Julieta González, Florence Müller, Circe Henestrosa and Cristina Rangel, who talk about the work of the Carla Fernández Fashion House and its impact on the design scene in Mexico and in turn in the world, as well as the different catwalks and exhibitions, such as those of the Jumex Museum, in Mexico City, the Victoria and Albert Museum, in London, England, Isabella Stewart Gardner, in Boston, USA, among many others. . In addition to what is contained in the Manifesto, the physical book is a proposal for editorial art, where the artistic vision of Carla Fernández is combined with the work of Maricris Herrera as editor-designer.\u003c\/p\u003e","brand":"CARLA FERNANDEZ","offers":[{"title":"Default Title","offer_id":44883033653409,"sku":"107943","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/S1110351_1.jpg?v=1742846807"},{"product_id":"the-new-black-west","title":"The New Black West","description":"\u003cp\u003eFeaturing stunning full-color photographs by Gabriela Hasbun, The New Black West celebrates the modern Black cowboys of the Bill Pickett Invitational Rodeo and the community that comes together to witness their achievements year after year. A powerful symbol of self-reliance, strength, and determination, the Black cowboy is a figure commonly overlooked in the histories of the American West. Held annually in cities across the United States, the Bill Pickett Invitational Rodeo (BPIR) honors the historic accomplishments of Black cowboys and fosters a vibrant community dedicated to continuing that legacy. Bay Area photographer Gabriela Hasbun has spent more than a decade photographing this beloved event in the Oakland hills. Her images capture the joy and excitement of performers and audience members, showcasing the daring feats, spectacular outfits, and welcoming atmosphere that make the Bill Pickett Invitational Rodeo an unmissable experience. In addition to Hasbun's photographs, The New Black West features quotes and stories from the cowboys themselves and a foreword from the Oakland rodeo's regional manager, Jeff Douvel. A VIBRANT COMMUNITY: The Black rodeo in Oakland is the annual event at the heart of a vibrant community. Couples meet and fall in love at the arena, children eagerly anticipate their turn to compete in the different events—and people travel from all over the area and the country to participate. AN IMPORTANT LEGACY: Named after legendary cowboy and performer, the Bill Pickett Invitational Rodeo honors the often-overlooked legacy of Black cowboys in shaping the American West. Hasbun's book spotlights the contemporary riders and performers who carry on that legacy, inviting them to share their own stories with the world. A UNIQUE CELEBRATION: Hasbun has been photographing the Black rodeo in Oakland for a decade, and this collection of her work is a loving tribute to the community that kept her coming back year after year. Stories from her conversations with the cowboys and cowgirls bring her images to life, making The New Black West a heartwarming celebration of an iconic cultural event.\u003c\/p\u003e\n\u003cp\u003ePages 128 \u003cbr\u003eHardcover \u003cbr\u003eISBN: 9781797208893\u003c\/p\u003e","brand":"CHRONICLE BOOKS","offers":[{"title":"Default Title","offer_id":44883035816097,"sku":"9781797208893","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/S1116098_1.jpg?v=1742846856"},{"product_id":"trailblazing-women-printmakers","title":"Trailblazing Women Printmakers","description":"\u003cp\u003eA visual history of the Folly Cove Designers (1941-1969)—one of America’s longest-running block printing collectives.  The Folly Cove Designers (officially 1941-1969) was a grassroots collective of predominantly women block printers founded by Caldecott Award-winner and beloved children’s book author\/illustrator Virginia Lee Burton Demetrios (of Mike Mulligan and His Steam Shovel fame).  This trailblazing Gloucester, MA–based group produced more than three hundred distinct designs, which they block printed on fabric. The designs conveyed personal and regional narratives through the use of shared design principles and the compelling language of pattern. The group was propelled to international fame through commercial contracts with major retailers (F. Schumacher, Lord \u0026amp; Taylor, etc.), articles in leading periodicals such as Life, and participation in seminal fine craft exhibitions. Their work continues to inspire contemporary printmakers around the globe, particularly women printmakers.  As the first comprehensive history of the Folly Cove Designers, Trailblazing Women Printmakers documents and celebrates the group’s tremendous success and the incredible artistry of its members. With more than 250 black-and-white and color photographs, author Elena M. Sarni explores the Folly Cove Designers' history, work, and group dynamics.  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This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.\u003c\/span\u003e\u003c\/p\u003e","brand":"CHRONICLE BOOKS","offers":[{"title":"Default Title","offer_id":44883038568609,"sku":"9780810000000","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/1-dbr106_2.jpg?v=1771948711"},{"product_id":"i-am-inuit-portraits-of-places-and-people-of-the-arctic","title":"I am Inuit: Portraits of Places and People of the Arctic","description":"\u003cp\u003eArctic communities are faced with powerful forces bringing pressures on Inuit culture and society. Global climate change is having a profound impact on the Arctic, its sensitive ecosystem and the communities that rely upon the region’s natural resources. The impacts are real, immediate, physical and psychological. 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Visiting 21 communities, he took portraits of the residents and recorded their narratives of change, adaption and resilience, sharing these across social media and compiling a remarkable selection for this book.\u003c\/p\u003e\n\u003cp\u003eISBN: 9783716518397 \u003cbr\u003ePages: 208 \u003cbr\u003eHardcover\u003c\/p\u003e\n\u003cp\u003eFINAL SALE\u003cbr\u003e\u003cspan\u003eItems marked 'Final Sale' are not eligible for return or exchange.\u003c\/span\u003e\u003c\/p\u003e","brand":"CONSORTIUM BOOKS","offers":[{"title":"Default Title","offer_id":44883042762913,"sku":"9783716518397","price":24.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/S1114683_1.jpg?v=1742847030"},{"product_id":"wild-things-are-happening-the-art-of-maurice-sendak","title":"Wild Things Are Happening: The Art of Maurice Sendak","description":"\u003cp\u003eThe most comprehensive survey of the work of Maurice Sendak, the most celebrated picture book artist of all time with previously unpublished archival materials Published in conjunction with the eponymous Sendak retrospective touring museums in the United States and Europe in 2022–24, Wild Things Are Happening emphasizes Maurice Sendak’s relationship to the history of art and the influences of his art collecting on his images. It features previously unpublished sketches, storyboards and paintings that emphasize Sendak’s creative processes. Bringing together a broad diversity of perspectives on the award-winning artist, the book includes an extended essay by the renowned art historian Thomas Crow that traces the genesis and cultural contexts of Sendak’s most famous book, Where the Wild Things Are. It also includes interviews and appreciations by many of Sendak’s key collaborators, including Carroll Ballard, Michael Di Capua, John Dugdale, Spike Jonze, Twyla Tharp and Arthur Yorinks. Maurice Sendak (1928–2012) was born in Brooklyn, New York, to Jewish immigrant parents from Poland. A largely self-taught artist, Sendak wrote and illustrated over 150 books during his 60-year career, including Kenny’s Window, Very Far Away, The Sign on Rosie’s Door, Nutshell Library (consisting of Chicken Soup with Rice, Alligators All Around, One Was Johnny and Pierre), Higglety Pigglety Pop!, Where the Wild Things Are, In the Night Kitchen and Outside Over There. 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Her pieces are imbued with an equal sense of humor and dread. Their fragility and precarity increase the expressive power of these funny, outrageous, grotesque objects, which often seem as though they might collapse before our eyes at any moment. In her studio, one is likely to encounter figurines inspired by Japanese horses or vintage American cartoons; vases ornamented with patterns from the ancient Americas; and tiles, plates and cups decorated with flowers or scenes from her life in Venice. A trio of characters recur throughout her oeuvre: a distressed Olive Oyl, an oblivious Minnie Mouse and the savvy Condorito―a Chilean cartoon from the ’50s that is still very popular in Latin America. 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Blomberg, Chief Curator and Curator of Native Arts, discuss the history of the museum's Oceanic collections, characteristics of Oceanic art, and the process, materials, and meaning of objects ranging from gigantic masks and feather cloaks to colorful architectural elements and armor. The book also contains a personal reminiscence of collecting in Papua New Guinea by Ellen Anderman, whose family donated hundreds of Oceanic objects to the museum.  Paperback\u003c\/p\u003e","brand":"DENVER ART MUSEUM","offers":[{"title":"Default Title","offer_id":44883054461089,"sku":"059063","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/S1062397_1.jpg?v=1742847287"},{"product_id":"treasures-of-british-art-1400-2000-the-berger-collection","title":"Treasures Of British Art 1400 - 2000: The Berger Collection","description":"\u003ci\u003eTreasures of British Art 1400 - 2000: The Berger Collection\u003c\/i\u003e,\" by Berger Collection curator Kathleen Stuart, presents 50 masterworks from one of the most important private collections of British art in America. Featured are examples by the pre-eminent artists of the British School: Hans Holbein the Younger, Anthony van Dyck, Peter Lely, Benjamin West, Angelica Kauffman, Thomas Gainsborough, Thomas Lawrence, George Stubbs, John Singer Sargent, Howard Hodgkin, and Adam Birtwistle. 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This well-illustrated volume presents revised and expanded versions of papers presented at the symposium and will serve as an important resource for scholars and enthusiasts of early modern history in general and Latin American art and history in particular.   Barbara Mundy (Fordham University) opens the volume with a discussion of pre-Columbian dance festivals and their associated costumes and accoutrements, their continuation and reinterpretation in colonial Mexico, and their remaining vestiges in modern times. Gustavo Curiel (Universidad Nacional Autónoma de México) examines mourning ceremonies and ephemeral monuments executed in Mexico City to commemorate the 1665 death of Philip IV. Beatriz Berndt (Independent Scholar, Mexico City, Mexico) analyzes extant engravings, written descriptions, and political motivations in the ephemeral façade designed to celebrate the enthronement of Charles IV in Mexico City in 1789. Frances Ramos (University of South Florida) explores celebrations and artworks in honor of Saint Joseph in the city of Puebla, Mexico. Kelly Donahue-Wallace (University of North Texas) closes the festival section with a discussion of ephemeral structures and public art works under the direction of the newly-founded Royal Academy of Art of San Carlos in the late colonial era.   Jorge Rivas (Colección Cisneros, Caracas) begins the discussion of daily life by presenting recent research on a uniquely American furniture form, the butaca (easy) chair, tracing its origins in Venezuela and its eventual spread throughout pan-Caribbean Latin America.  Susan Socolow (Emory University) examines women's quotidian clothing in colonial Argentina based on documentary evidence found in travelers' descriptions and extant estate inventories. Alexandra Troya-Kennedy (Universidad de Cuenca, Ecuador) closes the volume by tracing Ecuadorian costumbrista images of daily life from their origin in colonial-era Enlightenment discourse to their production for the tourist market and use by politicians in the nineteenth and early twentieth centuries.   Paperback, 8.5 x 11 in. 172 pages, 139 illustrations. 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Michael Schreffler (University of Notre Dame) opens the volume with a discussion of portraits of Cortés and Moctezuma in sixteenth-century New Spain. Clare Kunny (Art Muse, Los Angeles) examines portraits of Antonio de Mendoza (1490–1552), the first viceroy of Mexico. Susan Rather (University of Texas, Austin) analyzes portraiture in colonial British America and landscapes included in them. Karl Kusserow (Princeton University Art Museum) explores selfhood and surroundings in British American portraits.   Paula Mues Orts (National School of Conservation, Mexico) examines the portrait series commissioned and displayed in colonial Mexico by religious and civic organizations as a claim to power and prestige. James Middleton (independent scholar, New York) discusses clothing and accessories in New Spanish portraiture that allow a more precise dating of works. 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Henneman, and Molly Medakovich lead the reader through the history of western American art, from artists' journeys to the West in the 1800s to the modernism of the 1930s and 1940s, A prologue by Dan Flores and an epilogue by Erika Doss frame the essays with historical and contemporary perspectives.   Jennifer Henneman, Ph.D. is Associate Curator of Art of Western American Art at the Denver Art Museum.  Molly Medakovich Ph.D. is Interpretive Specialist, Western American and European Art at the Denver Art Museum.  Thomas Brent Smith is Curator, Director of the Petrie Institute of Western American Art at the Denver Art Museum.  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Offering a vibrant overview of Redouté’s admixture of accuracy and beauty, it is also a privileged glimpse into the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003emagnificent gardens and greenhouses of a bygone Paris\u003c\/strong\u003e.\u003c\/div\u003e","brand":"TASCHEN USA","offers":[{"title":"Default Title","offer_id":44883296420001,"sku":"9783836556651","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/4977\/3729\/files\/9872b1129a42f559ee8f9d912c23402b.webp?v=1748961683"}],"url":"https:\/\/shop.denverartmuseum.org\/collections\/book-art.oembed?page=3","provider":"The Shops at the Denver Art Museum ","version":"1.0","type":"link"}